Review
Don’t miss this marriage made in heaven
David McVicar’s 2015 production of Mozart’s The Marriage of Figaro has become a jewel in Opera Australia’s repertoire.
- Peter McCallum
Latest
David Williamson’s discordant family tale delivers ‘supernova’ performance
Aria mines the treacherous territory of family retribution – and the results are scary.
- Peter McCallum, Kayla Olaya and Harriet Cunningham
- ★★★
- Arts
Schlocky horror show is long on spectacle and short on drama
Our reviewers give their verdict on the latest shows around town.
- Peter McCallum, John Shand, James Jennings, Harriet Cunningham and Joyce Morgan
- ★★★★★
- Sydney live reviews
Eloquent and beguiling: Operatic Hamlet is a triumph
Our critics deliver verdicts on the latest shows around town.
- Millie Muroi, Cassie Tongue, Shamim Razavi, Harriet Cunningham and John Shand
- ★★★★
- Entertainment
Sublime, erotic, dangerous: Dido and Aeneas is 80 minutes of baroque astonishment
Physical feats match vocal brilliance in this powerful staging of Purcell’s tragedy by Opera Queensland with the help of the acrobats of Circa.
- Nick Dent
Backstage with Opera Australia’s Il Trittico
Backstage with Opera Australia’s brand new production of Puccini’s Il Trittico, ahead of its world premiere at the Sydney Opera House.
Stellar performances (almost) make up for soulless venue: Tosca
Opera Australia staging of Puccini’s opera at Margaret Court Arena mostly paid off, plus New Zealand jazz pianist Jonathan Crayford hits Melbourne.
- Bridget Davies and Jessica Nicholas
- Perspective
- Perspective
Watching opera among the dinosaurs could be the most Australian thing I’ve ever done
High on a prehistoric plateau in Queensland, this festival provokes questions about culture, community and being Australian in 2024.
- Nick Dent
- ★★★★½
- For subscribers
Opera Australia has found for itself a triumphant ‘new’ La Traviata
This much-loved Verdi classic becomes a deeper psychological journey in the hands of director Sarah Giles.
- Peter McCallum
- ★★★★★
- For subscribers
Sixteen hours in this operatic ‘multiverse’ is a five-star experience
Wagner’s Ring Cycle is often described as the Olympics of opera. This stunning, high-tech version takes it to another level.
- Peter McCallum